Archive for August, 2006

31
Aug

The Art of Coincidence

   Posted by: Michell    in SWN Archives

Have you ever watched a television show or a movie and said “No Way!” to a sequence of events that were just too improbable?  Did the plot seem way too dependant on luck?

Suspending belief is a key piece to enjoying some movies, but sometimes the creators simply take too many liberties with the audience.  As writers, we must be careful not to fall into that trap or we lose credibility.

Does that mean that we should avoid the use of coincidence and luck in our writing?  Absolutely not, after all, what is life but a series of unexpected events?  It just means that we shouldn’t use them as a crutch; they should be used sparingly but with surgical precision to move the story along.

Take, for example, the comic book industry.  How many of the key characters went from being some ordinary schmo on the street to a superpowered hero because of a miraculous chain of events? 

Or look at a more mainstream fiction example.  What is the likelihood that an expert in symbology will be present in Paris at exactly the same time that a certain albino zealot murders a museum curator (who had the expert’s name in his day-planner for a meeting, no less)?

In both examples, something (or some things) extremely improbably happened, either to create motive or plot.  But isn’t that exactly how life works too? 

A waitress serving a table is discovered by a movie producer or a man gets hit by a falling pane of glass from an office tower (that had been run into by a bird the previous day).  In both cases, the outcome could never have been foreseen and in both, the lives of the central characters are changed (or ended) forever.

The biggest thing to keep in mind is Use Coincidence sparingly and usually only as a seed, not as the fertilizer (It’s safe to use coincidence to start a story, but not grow it too much).  And never, EVER, use it to end the story.  Nothing can kill a good tale like the illicit use of ‘Deus ex Machina’.

To paraphrase the Bard:  “To use or not to use… that is the question”  I guess to properly answer that you need to remember that, what is life but a series of random events (unless you believe that everything has already been foretold and I’m afraid I have nothing of use to say to you)?  To me, the answer is (and must be):  use it in moderation and only to move ahead, never to end.

Good writing.

TwitterShare
24
Aug

Framing Your Story

   Posted by: Michell    in SWN Archives

One of the (many) problems/headaches I’ve experienced in my writing is ensuring that I’m true to the story’s frame of reference.  You see, we all have our own set of experiences and cultural references that set our understanding of the world around us.  But should they also influence our characters?

Take for example borsht.  I know that borsht is Beet soup.  I can describe what it looks like, how it tastes, how best to eat it, etc.  But would the word borsht mean anything to someone from South America (without having to go through the detailed explanation first)?

Now, how about a more extreme example.  What about a peasant farmer living in a medieval-esque era in a fantasy setting who worships nature?  Would he (or she) understand a reference to hell (as in “Go to hell, you bastard!”) or bastard (see previous example)?

That person may not understand the concept of marriage, so bastard could be irrelevant.  And is hell even a concept in their religion?

Now how about a more fundamental concept, like time?  If clocks don’t exist, would a peasant think and speak in terms of seconds, minutes and hours or would their frame of reference be more in terms of morning, midday, afternoon and evening/night?  How about if it is never dark?

Suddenly, the story-telling can get very complicated because you need to provide additional explanation of concepts that the reader may not be familiar with.  In other words, you need to give the story’s frame of reference to the reader.

I’ve seen this get extremely complex in some books I’ve read (or tried to read).  The danger is the complexity could turn off the reader to the extent that they put the book down and refuse to read any others you write.

The other danger is that once a concept is introduced, you must remain true to it.  If you stray from it, your readers will catch it and your story will lose credibility.

You don’t necessarily need to work out all the cultural and environmental differences before you begin your writing.  What you do need to do is edit your story with an eye to identifying where a reference doesn’t work and make the appropriate changes (and stay true to the changes).

Having said that, some writers prefer to have all the nuances of their cultures and environment worked out in advance to the actual story writing.  That pre-work may be necessary for them to provide the setting they need to work within.

Whatever method works for you, it is a necessary step to take, regardless of genre.  Present day New York or Victorian England, the reader needs to see the events in the proper frame to fully appreciate the story and understand it from the character’s point-of-view.  That richness will make your stories more intriguing and keep people coming back for more. 

TwitterShare
18
Aug

Making Time to Write

   Posted by: Michell    in SWN Archives

Sometimes the toughest thing with being a writer is actually finding the time to write.  This post is case in point.  The only time I actually had any time to do any writing was at the cusp of a new day.

So what the heck is the answer?  The biggest piece of the answer (because there certainly isn’t one definitive one) is to make your writing a priority.  Just like you would do for exercising, spending time with your family or going out for that quiet time that you so desperately need.

So how do I tackle this problem (because with two children and a full-time job, it most certainly is a problem)?  The only answer I can give you is I use various methods.  Sometimes (when life is less hectic), I can easily set aside an hour a night (or morning).  Other times, I need to grab 15 minutes here and 15 minutes there. 

You would be simply amazed at how much you can achieve with 15 minutes of focused effort (the key here is the word focused) a couple times a day.  In fact, one week, I managed to finish two complete chapters using this method.

Lastly, sometimes you just need to take it with you.  That could be a notepad or notebook or it could be your laptop.  I’m lucky that my wife likes to drive.  Those long trips are ideal to get down and dirty with your story.

I’d be lying if I said that I’m always able to write every day (or more accurately, every week).  There are those times when you can’t help but let your writing sit.  Life is simply too busy for it to be otherwise.

However, if you know that you’ll be faced with a forced break, make sure that your story is somewhere that you can’t ignore it.  I know, the last time I was forced to leave the writing for a time, I had the manuscript in my briefcase.  I couldn’t go to work without knowing it was there.  Eventually, the story forced me to come back and resume writing.

In any case, the message here is not to follow any one plan to keep the words flowing.  Whether you use a schedule, or just pick and chose time as available, it doesn’t really matter.  The thing to consider is ‘Where does my writing fit in my life?’.  Is it the most important thing, or just something I like to do when I have a moment.

Only you can make that judgement, but once you have made the decision, you must make the effort fit the priority.  It might mean a writing holiday, or just an enjoyable hobby, but you are the one who will make it happen.

Good luck with your decision and happy writing.

Mike

TwitterShare
Get Adobe Flash player