Archive for April, 2012

As you know, I have several projects on the go, right now. Happily, Mik Murdoch proof work of the galley is finished and sent to Lorina Stephens at 5 Rivers Publishing. That leaves me a little time for the other projects.

The most pressing is the YA Zombie podcast novel I’m working on as part of “The Action Pack Podcast.” I am writing and recording a new episode every month. JR Murdock and Scott Roche are also providing stories. Check out actionpackpodcast.com for more information.

I’m also working on the Mad Scientist Handbook which is officially titled, “A Method to the Madness, A Guide to the Super Evil” with Jeffrey Hite. Jeff and I talk about the handbook in today’s Tips and Typos section.

I’m also pleased to announce the identity of today’s guest author. Rebecca Rowe writes novels, short stories and poetry. She also has a master’s in Mass Communications/Journalism from the University of Denver and a Master’s in International Relations from the University of Southern California. I had a lot of fun talking with her about writing and getting published. I think you will enjoy the discussion.

That’s the lineup for today. I hope you enjoy the show.

Show Notes

00:00 — Opening – Get Published Episode 82 – Rebecca K. Rowe Comments Via Science Fiction

Everything has to start somewhere and this is the start of “Get Published”

00:14 — Introduction – Get Published Episode 82 – Rebecca K. Rowe Comments Via Science Fiction

Welcome to the show.

01:35 Promo: A Method to The Madness: A Guide To The Super Evil

03:25 -Tips and Typos

Mike and Jeffrey Hite talk about A Method to the Madness: A Guide to the Super Evil

06:52 - Promo – Parsec Awards

07:29 — Get Published Episode 82 – Rebecca K. Rowe Comments Via Science Fictions (continued)

Rebecca K. Rowe talks about a number of things:

  • How where you grow up affects your writing;
  • Social commentary in your writing;
  • The importance of finding a community of support;
  • How she got published;
  • Clarion Workshop and its value to the new writer;
  • How travel has affected her writing;
  • The value of conventions;
  • Take care what you post online.

53:38- Promo - Flying Island Press

54:23 — Closing

Thank you for listening.

Websites mentioned in this episode:

Rebecca K. Rowe - http://www.rebeccarowe.com/

A Method to The Madness: A Guide To The Super Evil - http://madscientistanthology.wordpress.com

Parsec Awards - http://www.parsecawards.com/

Flying Island Press - http://flyingislandpress.com/

TwitterShare

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

25
Apr

Knowing Your Audience

   Posted by: Michell    in About Writing, Irreverent Muse

I thought I would talk about audience today. Specifically, knowing who you are writing for and how you can ensure that you’re hitting the mark.

I’ve been shown the value of understanding who might want to read my stories several times.

When I sent in Mik Murdoch, Boy Superhero originally, I kind of knew who I expected my eventual readership to be: boys, ages 9 – 15. Simple enough, right? After all, the book is about a boy in that age category who wants to be a superhero. I expected some girls might like it and the occasional adult too.

Then my editor, Robert Runte, and I had the chance to meet last Fall. He told me that when he got the manuscript he passed it over to his 13-year-old daughter to read. His decision to do the edits was made when she told him, “You have to do this book, Dad.” That was unexpected, but welcome news. Then later when I was hearing from Lorina and Robert about what they thought the book might do and commented on some of the other elements of the book, I realized that adults might enjoy it too.

Now that I’m going through the galley (for final proof), I have found some of the humour and scenes that adults might relate to better than kids. Was that entirely planned? In some cases, yes and others it is a happy coincidence. Probably the result of me, an adult, writing for the me as a young person. I was trying to satisfy both people.

The next obvious incident was when I came up with the story idea for Boyscouts of the Apocalypse. When I actually told the campfire story and saw the reaction to it, I knew I was onto something good. When I started having adults request more stories (and the Scouts too), it was obvious that the idea appealed to a large range of people.

So, when I started writing the story (episode 3 of the podcast version will be available at the end of the month as part of the Action Pack Podcast) I tried very hard to write something that the boys and adults both could enjoy. I’ve had some positive feedback from both groups who have listened, so I think I’m hitting the mark. Please tell me different if that is your experience.

The point is, don’t write something for a group if you have no way to know if that group is interested. For example, writing about sparkly vampires for boys probably won’t work unless you have some twist where the sparkle gives them super powers or something interesting. If you think the idea might work, talk to a few people from that group and see. If they are interested, maybe you have something good. Maybe you won’t.

What I’m suggesting is essentially doing market research.  If you are intending to sell something, you can never know too much about the marketplace you are selling to.

If you are only writing for yourself, it doesn’t really matter. In that case, the only person you need to satisfy is yourself. Mind you, if you are like me, you are probably your own toughest critic.

Good luck with your writing.

TwitterShare

Tags: , , , , , , , , , , , , , , , ,

I was a fairly dense kid while growing up. I wasn’t stupid. I easily managed A’s and B’s throughout school. I just wasn’t very aware of anything outside of my own immediate interests. I wasn’t aspiring to anything. I just ducked my head, hoping I’d make it to the next day, and missed out on lots of pop culture as a result. When my brother got me my first adult novel for Christmas when I was fourteen, I didn’t even notice that it was the last book in a series.

“Star Wars: X-wing: The Bacta War” ignited my love for space opera and fantasy. I felt like I could have been Corran Horn in another life. I loved the starfighter combat and Corran’s green X-Wing, my favorite color. The characters jumped off the page and the final battle screamed classic “Star Wars”. I became obsessed with the movies, went back and read the first three books of the X-Wing series, then consumed the rest of the Bantam line of novels, starting with Timothy Zahn’s Thrawn trilogy.

The character of Grand Admiral Thrawn, a genius tactician who develops his strategies by studying his target culture’s art, widened my horizons. Zahn got me to look beyond my own shell for the first time in my life at the actions and reactions of others, which helped me to anticipate and avoid or counter bullies during junior high. Without Thrawn, I would not have thought to fake an injury and feign crying after one bully pushed me to the ground at a Boy Scout camp. He rushed toward me, apologizing, afraid I would get him in trouble with our troop leader. When he got near enough, I launched a kick into his chest and was able to walk away from the scuffle, using my walking stick (read: converted Ninja Turtle bo staff) as a deterrent against any further attacks. I ended up sacrificing that walking stick, for he and his friends stole it from my tent when I was away, but they never shoved me again. Thrawn had given me the ability to fight back.

My love of Star Wars evolved into a love of books and movies that had an adventurous, empowering spirit. In college, this wider interest got me into filmmaking, so I wrote a script for a Star Wars fan film and tried to turn it into a movie. The film fell through, but the experience led me into a career that I’d wanted to do for years, but had not yet consciously realized before this point.

I wanted to tell stories.

You see, I thought I had to choose something more pragmatic as a career since writing wasn’t a real job. So I got a degree in Mass Communications, believing that editing footage for television or movies was the most practical thing that would still let me tell stories. But that wasn’t good enough because they weren’t my stories.

So I set out on my own and on Christmas Eve just last year I released “The Lightforce Rebellion”.  It’s a young adult fantasy about a 14-year-old kid who ran away from a bully not unlike the one who bullied me at that Boy Scout camp. He finds himself trapped in an alternate world and with the help of friends becomes able to take on an even bigger bully. It is also a story of how his actions empower a girl his age trapped within a web of that bully’s lies to choose and fight for her own destiny.

Because my brother got me “The Bacta War” and because of the domino effect it produced, I’m a much different person than I would have been.

Now I am a storyteller. And this novel is a story that I hope kids who are like my pre-teen self will find as exciting and empowering as I found Grand Admiral Thrawn and Corran Horn.

###############################

Chris (www.stormherald.com), as he is known to his friends, was raised in Kansas and is deeply fascinated by history, philosophy, and how the development of our culture has affected our notions of fatherhood and growing up. He currently lives in Vancouver, WA in a third-floor apartment along with his Star Wars novel collection. He is also suffering from a horrible Minecraft addiction. Send an intervention team, please.

His book, The Lightforce Rebellion is available  from Amazon, B&N, and Smashwords. You can learn more about it at: http://www.stormherald.com/books/the-lightforce-rebellion/

TwitterShare

Tags: , , , , , , , , , , , , , , , , , , , ,

Get Adobe Flash player