Archive for the ‘About Publishing’ Category

As you probably know, I’ve been working towards the goal of getting published for several years now. Last year I had some success with my short stories, managing to get three of them accepted by various e-magazines and digital sites. That success only encouraged me to work harder to get my books in front of publishers to try and get them published as well.

Then, in October, I received my first book contract for my YA Superhero novel, “Mik Murdoch, Boy Superhero”. The book is the first in what I expect to be a six-book series. I was (and still am) very excited about this development, but, as I have said many, many times, publishing is slow. I know where in the queue it sits for revisions and I know when the deadline is for the cover-art. I also know it probably won’t be available until Spring 2012.

That is the way of the industry, especially with smaller presses that have limited resources. I have no complaints and I cannot wait to get going on the process.

There have been additional developments in my quest to make my books available. A few months ago I decided to self-publish another YA book of mine. It was my thought that I could get the books to cross-promote each other and I would get another kind of publishing experience.

And let me tell you, it has really driven home why the publishing industry moves slowly.

Let me walk you through the process:

  1. Finish manuscript and proof it and revise it until you think you have something good. Luckily, I was already at this point when I made the decision to self-publish. As some of you know, the question of when to stop revising and move on to step two is a bit of an arcane art. Set a deadline.
  2. Get you manuscript in front of beta readers for critique and comment. I think this is a key step and can be accomplished in a couple ways: have trusted people who you know will give you an honest assessment of your work or use a community like Critters.org. In either case, be prepared to wait… and wait some more. You will not get as many responses back as you might expect, so use a bit of a shotgun approach. If you think you need three critiques, get six people to read your work. Set deadlines.
  3. Start looking at cover-art and who or where you will acquire it. If you are asking someone to create it especially for your book, get them working on it immediately. Set deadlines.
  4. Start researching how you are going to publish the book and with what service. There are many to chose from: Lulu.com, Createspace, Smashwords and a host of others, both good and bad. When you know how you are moving forward, understand the potential pitfalls and advantages of your decision. Set deadline to finish research.
  5. Take all the comments from your beta readers and make the necessary changes to your book. This can be extremely time-consuming, so be prepared. Oh yeah, and set a deadline for the edits to be complete.
  6. Take the finished pieces of cover-art and book and, using the templates provided by your service of choice, layout your book. Yes, you guessed it, set a deadline for completion of this step.
  7. Do quality control of the book. Each eVersion has its own gotchas and you should get an ARC (Advanced Reader Copy) of your print book. Spend the time necessary to go over each with a fine-toothed comb to remove any mistakes you may find. Unless, of course, you don’t care about the quality of the book. Set a deadline.
  8. Release book. Set a deadline.

You couldn’t help but notice “set a deadline” in each step. That’s because this must be treated as a project and projects need deadlines. Without them, it will never get finished. People will never give their pieces the attention required and you will have other things get in the way. Also, don’t be too disappointed if your release date slides a little. In my case, I had hoped to release the book May 20th. It is now June 18th and the book is still under construction. My new release date is July 8th. I might be able to beat that, but that is my release deadline.

You should note, that none of the steps above include marketing and promotion. Those are key to selling your book and should be underway as soon as you have your plan in place. That way, you have some hope of selling your book once it is finished. But that is another project altogether.

The big lesson learned here? Publishing is slow, regardless of whether you do it yourself or have an actual publisher do it for you. Once you realize that, you will sleep better at night.

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I’ve been thinking a lot about books and how they are being published. Probably very much like a lot of you are too.

The publishing industry is undergoing some extremely big changes from the way authors are signed to books published and finally distributed and sold. It seems to me that there is a parallel to the huge format change (albeit a small one) that has me thinking in a certain direction. The parallel I’m thinking of is that of DVD to Blu-Ray.

You may argue that the change in format was a minor thing. The DVD’s published under the old standard continue to hit the shelves and the Blu-Ray are starting to fill the niche. Sounds a little like paper-bound books and eBooks, doesn’t it. Paper-bound books continue to be published and sold and eBooks are gaining ground by the day. Not a perfect comparison but still valid, I think.

The movie companies quickly noted that with the expense of new Blu-ray DVD players, people weren’t flocking to the new format. Especially after many made the investment into the competing (and ultimately failed) standard of HD-DVD. To combat that and encourage the movement to Blu-ray, many forward thinking companies started to sell Blu-ray discs with a DVD version and, in many cases, a digital version for a few dollars more.

This is what I consider to be the brilliant part of the equation. Blu-Ray players are backward compatible to old DVD’s. That means, when someone finally buys the newer technology, they will still be able to play their libraries plus their new stuff. I believe many people will get to a critical mass of Blu-ray discs where they decide it only makes sense to upgrade. The added benefit of cheap HD Televisions is only the icing on the cake.

So where am I going with this?

The way I see it, there are three kinds of readers. The ones who buy books to read and collect, the ones who buy books to read and discard and the kind who do a bit of both. The first group will always buy books. They may wish for the convenience of eBooks, but ultimately they will always buy paper. The second group will embrace eBooks because they are cheaper and easy to get. Third group will want a combination of paper books and eBooks.

You might not be able to tell but my fevered brain is starting to tick along quite nicely by this time.

I am one of those people who falls into both the first and third groups. I largely buy books to read and collect but my space is rapidly diminishing. That means I’ve had to be more selective about what I buy/read. If I could get eBooks instead I wouldn’t have as much space problems plus I’d have instant access to my library wherever I happen to be. Since I reread many of my books over and over, that is a very good thing.

I actually got myself an e-reader to help combat the problem. There were three books I wanted to read badly so I went shopping online to see how much they were in e-format. I was shocked to see that all three books averaged over $17 per eBook.

I don’t know about you, but I’m not paying that for an eBook.

I thought about why that was and I came to the conclusion that the publishers in question were trying to protect their hardcover sales. What they actually did was convince me to wait for the paperback versions to come out. Maybe then the eBook will come down in price. So they have lost both the expensive eBook and hardcover sales from me.

I don’t want that to happen to me.

What the publishers should have done, and I’m sure this idea isn’t unique, is to bundle both the hardcover with the eBook. Charge a couple bucks more to get both. Don’t make the eBook available until the book is in paperback if you are so worried. The people who read paperbacks are used to waiting anyhow and people like me will actually buy the hardback for the collect-ability and get the eBook for the portability. They get an extra quick eBook sale and don’t drive me off in frustration at stupid prices. They could even offer the eBook at the inflated price as a stand-alone. That might drive people to buy the bundle for the great savings.

One group that seem to have figured this out is Flying Island Press. They are purely digital in that they only offer their magazine in e-formats and audio. The beauty is, you can get the magazine in one or the other or both. If you chose both, it is at a discount.

That is what I would like to do (keep in mind, this is totally off the cuff and my publisher may tell me to forget it). Offer my audience my books as paper, e-format or both. If you were to chose  both, you get the eBook at a reduced price. It really makes sense to me because it addresses the needs of all three of the above groups. It might even boost my bundled sales. I know, if I were offered that possibility, I would jump at it.

I know what you’re thinking: it wouldn’t save my space problem. You are right about that, but I could put the (collected) books directly into books for storage where they will be out of the way and safe. The eBooks would be for reading wherever I am.

What do you think? Is my idea crazy? I think it would work both because it offers options and good value. It would give readers that forward progression path for when/if they get an eReader (and since you can get free ones for your computer pretty much anywhere, who wouldn’t use it?) too. I see it as a Win/Win situation as long as you don’t overprice it. $17 for an eBook is an insult when I can buy the Hardback for $25. $27 or $30 for both is something I would consider.

I hope publishers will do the same.

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Before I go too far into this post, I want to explain something about the title. The post is intended for those people who want to make a living as a writer. For those of you who write for the pure enjoyment of it, you can ignore most of what I’m about to say. For the rest of you… well, read on.

The first thing we writers need to realize is that publishers, editors and agents are people just like us. They love, they have lives and, most importantly, they need the same essentials we do in order to survive. That usually means a requirement for money of some type.

If they are professional publishers/editors/agents they must earn money through their activities in those vocations. That means they must treat their work as a business.

So, after that LOONNNGGG leadup, why is it that so many writers/authors consider themselves artists or craftspeople instead of business people? We need to approach our writing the same way we approach our jobs (assuming we have another form of income, that is).

That means a business plan of some sort and much more detailed than, “I’ll write the best book ever, publishers will have a bidding war and when the dust settles I’ll have a million dollars and live   happily ever after.” That is a plan, I suppose, but not a realistic one by anyone’s standards.

Let’s take a slightly different approach using reality as our guide. I will give you a few steps that I am using in my quest to full-time author status:

  1. Naturally, if we are going to sell our writing, we need to have something to sell. Step 1 is to create that material. Write and then write some more. When you think you have enough, keep going. Some authors suggest you have several books finished before you start trying to sell anything. Now that I have sold my first book, I am VERY glad I kept writing. I now have two more titles in the same series and three that are totally unrelated to do things with.
  2. Get to know people. Readers, other writers and most importantly, publishers, editors and agents. The first group is gives you a platform. The second a peer group who can help you (and readers too) and the final three give you insight into the industry. That insight may be nothing more than pointing you in the right direction, but more likely it will give you a leg up on that first contract.
  3. Get your name out there. Blog, podcast, comment on other sites, put fiction out, use Social Media in all its various forms. People need to know who you are and the more who know the better your chances are of moving on to bigger and better things. To prove this point, let me give you a (brief) list of events that have shown my forward movement:
    • Told some people who later became friends that I was a writer
    • Was invited to participate in a writing site called “StartingWriteNow” with four others. We each wrote a post every week about writing and our challenges in it.
    • Was invited (along with other four members of SWN) to appear on “The Writing Show” with PaulaB. I have now appeared on that podcast on three different occasions.
    • SWN folded and I began my own site (this one in case you wondered). I began blogging and podcasting my writing podcast “Get Published”.
    • Began using Twitter and Facebook to connect with readers, writers, publishers, editors and agents (where have I seen that before?). I also began seriously attending conventions where I also met the previously mentioned groups of people.
    • Got my first serious looks at one of my novels by a publisher contact I met at a convention.
    • Started interviewing those people mentioned above. Made friends with several and got some great first hand information about the publishing industry.
    • Started writing short stories for markets I learned about through my interviews.
    • Get Published was picked up by an Internet Radio Station.
    • Through one of my “Get Published” interviewees, scored my first sale of a short story.
    • Through one of my Social Media friends, scored my second sale of a short story.
    • Through another person I met via “Get Published” interview, I sold my first book.
    • My third sale went to the operator of the Internet Radio Station for a new online project.
    • Ok, that’s enough, but it does show what I’ve accomplished to date by doing the first three things. Now, let’s talk more about the actual “Business” beyond the contacts.
  4. Submit your work and continue building your platform. I think this step is self-explanatory, but essentially, don’t stop talking to people or writing just because you are trying to sell the work itself.
  5. Start identifying all the various things you can do to promote and help sell your book once you have one. Sitting in a store doing a signing is only one possibility. What else can you do? Contests? Virtual blog tours? Be innovative. (Keep writing, talking and submitting. This applies to all future steps).
  6. Set yourself realistic goals. Chances are, the first book won’t allow you to go full-time. Have a multi-book plan. How much do you reasonably need to write full-time? Who do you need to sell your books to in order to realize your dream.
  7. Keep writing and working toward that end game. You will have to constantly revise the plan as things change. You may have a five book plan where you hope to be full-time after five are in print, but then find it needs to be ten. Or three.
  8. Never forget that your publisher/editor/agent needs to make a living too. That means your book must be financially viable for all of you. The more effort you all put into its success, the more success you will all have.

I know I haven’t dug really deep into the whole financial aspect of writing. That’s because everyone’s situation is different. Someone who is married and at home raising the children is in a much different place than a single person who just finished school. The same is true of someone signed with a small press versus someone signed with a large New York publisher. Everyone is different. The best I can offer is to be aware of your financial situation and plan accordingly how much you can realistically earn as a writer every year. Using myself as an example, despite my success, I won’t have earned enough this year to buy my family a nice dinner. Next year might be different, but probably not.

That’s why my plan is a multi-year, multi-book one. ☺

Good luck with your writing business. I think mine is off to a promising start.

Personal Update

NaNoWriMo. Not sure what more I have to say. At the time of this writing, I’ve exceeded 40,000 words. Less than 10,000 words to go. Included in that writing is my original NaNoNovel, two short stories I should have finished a month ago and one new YA Novel I never expected. I’ve had to beat the ideas off with a stick, but it has been a great month thus far.

I’ve also been invited to participate as a voice in a podcast that isn’t my own. I’m really looking forward to it too. I’ll give you more details when I have them myself.

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