Posted by: Michell Tags: anthology, business, collaboration, critique, critiquing, feedback, marketing, million words, networking, opportunity, promotion, reading, self-promotion, steampunk, success, writing, YA, young adult
In my early writing days I believed that it was just me and the words. No one else would ever be involved. I was totally alone.
I’ve since learned that writing doesn’t need to be so solitary. True, there are times when it should be just you and the keyboard, but there are many times when you should be around and involve other people. For example.
- critiquing and feedback of your work – I have heard the opinion that a writer must write a million words before they have anything worth sending out. I would argue that a million words without any outside scrutiny doesn’t improve one’s writing much at all. The feedback around what works and what needs work is more valuable than the actual wordcount itself.
- marketing and self-promotion – you might be surprised at how useful talking to editors, publishers, agents and other writers can be. A publisher who has a chance to get to know you might ask you to send your work to them because they like you and think you would be a good person to do business with (btw, if you didn’t know that writing is a business, it is). The same holds true for agents, editors and so on. It can also be useful to know other people doing similar things to you because then you can setup cross-promotion activities. The more ways people have to find you (unless you are trying to avoid notice), the better.
- collaboration opportunities – not every book or story should be written by one person. Some projects are simply too big for one person to tackle. Case in point, my first anthology (being worked on with Jeffrey Hite). I’ve never done it before and I don’t think I personally have enough time to do (or even think of) everything that needs doing. Jeffrey is a great partner and has skills I don’t have that will make this project even better. Another reason for a collaboration is to bring in additional point-of-view. My example for this: the YA Steampunk JRMurdock and I are writing. We each bring a unique perspective to the story that has made it a lot of fun for both of us to write and I think to read.
- shoulder to lean on – let’s face it, only writers really understand writers. Our fears and anxieties, our hopes. They tend to resonate with other writers. When we stumble, it’s nice to have someone there to help us back up. When we reach a new height, it’s fantastic to share the news with people who can truly appreciate it.
There are other reasons, but trust me when I say, I owe much of my success to others. Yes, I’ve kept working at my writing but there have been times when I’ve needed that little kick in the butt to keep going. To not give up. Some of my best ideas have come from conversations with other writers and friends that I couldn’t have gotten on my own.
You owe it to yourself to get out there and talk to people. It will help you to make the key contacts that will push you to the next level.
Posted by: Michell Tags: 5 rivers, ebooks, eformat, five rivers, indigo, irreverent muse, kindle, kobo, lorina stephens, Michell Plested, mike plested, terry pratchett
The fact that the book industry is changing has never been driven home quite as clearly as it was in the last few days. The first epiphany was when I read a post by my publisher, Lorina Stephens of Five Rivers Publishing. She wrote about how Indigo (the 500-pound gorilla in Canada for book sales) is now pushing the small and indie presses around (post found here). Essentially, the book chain has made the decision to supplement their waning book sales by selling giftware.
Fair enough. If it helps them survive, all the power to them. But, and here is where the bullying comes in, they are also basically pushing the small presses out. Lorina says it better than me by far, so I encourage you to have a read. What it means, in essence, is my physical books will only sell on Amazon, through catalogs and small book stores.
The second time was only yesterday when I heard Terry Pratchett has another book coming out on October 11th. Mr. Pratchett is easily one of my favorite authors so my excitement at another Discworld book was intense. Then I found out that it wouldn’t be available in Canada until November 22. Huh?
So, I went to Amazon.com and checked for a Kindle version. Sure enough, I can get my hands on the book in eformat on October 11th. An e-version isn’t even available through Indigo (Kobo).
So, two strikes against Indigo in one week. Adding insult to injury, I can get the story I want in eFormat cheaper and quicker elsewhere.
I’ve known for some time that ebooks would be taking over; it’s pretty hard to miss all the signs. These last two nails have pretty much sealed the coffin for me.
It has also left a very bad taste in my mouth for the big book chains. I have no doubt that the small book stores will be back in some form eventually once the chains are gone.
I can’t wait.
Posted by: Michell Tags: beta reader, cover, cover-art, createspace, critique, critters.org, deadline, editing, irreverent muse, line edits, lulu, lulu.com, Michell Plested, mik murdoch, Publishing, revision, self publishing, series, smashwords, superhero, YA
As you probably know, I’ve been working towards the goal of getting published for several years now. Last year I had some success with my short stories, managing to get three of them accepted by various e-magazines and digital sites. That success only encouraged me to work harder to get my books in front of publishers to try and get them published as well.
Then, in October, I received my first book contract for my YA Superhero novel, “Mik Murdoch, Boy Superhero”. The book is the first in what I expect to be a six-book series. I was (and still am) very excited about this development, but, as I have said many, many times, publishing is slow. I know where in the queue it sits for revisions and I know when the deadline is for the cover-art. I also know it probably won’t be available until Spring 2012.
That is the way of the industry, especially with smaller presses that have limited resources. I have no complaints and I cannot wait to get going on the process.
There have been additional developments in my quest to make my books available. A few months ago I decided to self-publish another YA book of mine. It was my thought that I could get the books to cross-promote each other and I would get another kind of publishing experience.
And let me tell you, it has really driven home why the publishing industry moves slowly.
Let me walk you through the process:
- Finish manuscript and proof it and revise it until you think you have something good. Luckily, I was already at this point when I made the decision to self-publish. As some of you know, the question of when to stop revising and move on to step two is a bit of an arcane art. Set a deadline.
- Get you manuscript in front of beta readers for critique and comment. I think this is a key step and can be accomplished in a couple ways: have trusted people who you know will give you an honest assessment of your work or use a community like Critters.org. In either case, be prepared to wait… and wait some more. You will not get as many responses back as you might expect, so use a bit of a shotgun approach. If you think you need three critiques, get six people to read your work. Set deadlines.
- Start looking at cover-art and who or where you will acquire it. If you are asking someone to create it especially for your book, get them working on it immediately. Set deadlines.
- Start researching how you are going to publish the book and with what service. There are many to chose from: Lulu.com, Createspace, Smashwords and a host of others, both good and bad. When you know how you are moving forward, understand the potential pitfalls and advantages of your decision. Set deadline to finish research.
- Take all the comments from your beta readers and make the necessary changes to your book. This can be extremely time-consuming, so be prepared. Oh yeah, and set a deadline for the edits to be complete.
- Take the finished pieces of cover-art and book and, using the templates provided by your service of choice, layout your book. Yes, you guessed it, set a deadline for completion of this step.
- Do quality control of the book. Each eVersion has its own gotchas and you should get an ARC (Advanced Reader Copy) of your print book. Spend the time necessary to go over each with a fine-toothed comb to remove any mistakes you may find. Unless, of course, you don’t care about the quality of the book. Set a deadline.
- Release book. Set a deadline.
You couldn’t help but notice “set a deadline” in each step. That’s because this must be treated as a project and projects need deadlines. Without them, it will never get finished. People will never give their pieces the attention required and you will have other things get in the way. Also, don’t be too disappointed if your release date slides a little. In my case, I had hoped to release the book May 20th. It is now June 18th and the book is still under construction. My new release date is July 8th. I might be able to beat that, but that is my release deadline.
You should note, that none of the steps above include marketing and promotion. Those are key to selling your book and should be underway as soon as you have your plan in place. That way, you have some hope of selling your book once it is finished. But that is another project altogether.
The big lesson learned here? Publishing is slow, regardless of whether you do it yourself or have an actual publisher do it for you. Once you realize that, you will sleep better at night.